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Archive for the ‘music’ Category

Crowd-sourcing is in the air!

Wednesday, May 14th, 2008

Sorry for the big pause in MixedInk’s musings. It was a busy Spring!

Over the past few weeks and months, there have been some notable developments in the crowd-powered arena, and I just want to take a moment to highlight a few interesting examples.

We’re always excited to see forward-looking companies embracing the collective wisdom, so cheers to Starbucks
and Dell, both of which opened the door to major customer feedback. Both companies have embraced a platform called Salesforce Ideas, which TechCrunch aptly described as “Digg-for-ideas.” It allows people to share their ideas, discuss them, and then vote on the ones they like. Participants also get updates from the company responding to the top-rated suggestions. Pretty cool! To many skeptics’ surprise, the Starbucks page has been very popular, with ideas coming in by
the thousands and garnering hundreds of thousands of votes. Starbucks has embraced this feedback as an opportunity to offer their customers the ultimate form of respect – asking their opinion – and to get some new and innovative ideas for free. Dell’s “IdeaStorm,” which was the first site to solicit consumer feedback in this way, rightly earned PR Week’s Innovation
of the Year Award in 2007.

Radiohead has also opened the door to crowd-sourcing. The band surprised fans earlier this year by letting them decide whether or how much to pay for their last CD. In April, they upped the ante by offering “stems” (or different tracks: bass, guitar, drums, vocals…) of their single “Nude,” and then letting fans remix the song. Fans could post the remixed versions to Nude Re/Mix, where the public then could vote their preferences. As SocialMediaInsider points out, “This practice views the original content creation as the mere starting point for what happens to it once it is embraced. Some artists dabble in this area, but most don’t.” This is exactly how MixedInk views the collaborative writing process. Each person’s written contributions are like stems – ready to be edited, remixed, and ranked – that together build the best possible response, reflective of the wisdom of the different people involved in the process.

Most recently, MoveOn challenged its members to make a 30-second TV ad that tells the nation why Barack Obama should be the next president. A whopping 5.5 million votes were cast on 1,100 entries. The top 15 videos were sent to a panel of filmmakers, artists, musicians, and progressives, including Ben Affleck, Matt Damon, Lawrence Lessig, Jesse Jackson, and Moby. The winner was recently announced, and will be aired on TV during the campaign.

We’d love to hear about other applications that show the power of the crowd. Please feel free to highlight any innovative examples in the comments!

A web 2.0 jam session

Tuesday, August 21st, 2007

If Miles Davis were here today, we bet he’d be proud of the part he played in inspiring the current internet movement. From unconferences to open source software, musical tendencies have been interwoven in what has come to be called “web2.0.”

Jazz musicians are masters at improvisation to the point of seeming telepathic. Pre-written music and carefully crafted songs are catalysts for experimentation, not ends in themselves. Musicians also seek to blur the line between the audience and presenter and build a community around their concerts, with the belief that increased participation will enrich the experience as well as the music. And we cannot forget the open source movement pioneered by the Grateful Dead – the band encouraged taping of concerts, with the only rule being that tapers could not sell tapes for profit.

On the internet today, we similarly seek new avenues for collaboration that allow for cumulative creativity and the ability to use others’ ideas as springboards. Where jam sessions are an ‘aggregation tool’ for musicians, the web 2.0 movement seeks its own mechanisms with which to speak with one voice and capture collective wisdom. We see quintessential web 2.0 websites like Digg and Facebook dependent upon a symbiosis among community members not so different from the connection between musicians in a band. And at an “unconference,” blurred lines between the audience and presenter and a belief in improvisation allows anyone to present and the whole group to decide which subjects will be covered on the fly.

Such unstructured and decentralized solutions to otherwise complicated problems (such as planning a multi-day conference) has become the basis for the next step in the evolution of the internet. The MixedInk collaborative writing platform is inspired by the world of music. It allows people to come together spontaneously and fluidly to improvise and innovate, build on and improve upon what has already been started, and create a unified output that reflects the energy and nuanced views of each of its participants.